New York City Metal Brigade TOWER Joins CRUZ DEL SUR MUSIC

Cruz Del Sur Music is proud to announce the signing of New York City’s own TOWER. The label will release the band’s sophomore full-length in mid-2020.

Formed in 2015, TOWER plays a brand of classic, traditional metal inspired by legends such as JUDAS PRIEST and SCORPIONS, further propelled by the imitable, almost Pat Benatar-esque vocals of Sarabeth Linden. To date, TOWER has one studio album to their credit, 2016’s self-titled, as well as this year’s “Tomorrow & Yesterday” EP.

Shortly after the release of the video for “Run For My Life”, multiple record companies came calling for TOWER, including Cruz Del Sur. What sealed the deal for TOWER and Cruz Del Sur, though, was the good word put in by some of the label’s existing bands.

“We’re close friends with Nate Honor and Jim Hunter, whose bands SANHEDRIN and TWISTED TOWER DIRE are/were on Cruz Del Sur,” says guitarist James Danzo. “We heard so many good things about Cruz that it was pretty clear from the beginning which route we should take. In the few years we’ve been a band, we’ve learned not to rush into things and to be very deliberate, but we know we made the right choice!”

Danzo describes the first four years of TOWER’s existence as a “real wild ride,” with the band (who is rounded out by second guitarist Zak Penley, bassist Jeff Filmer and drummer Claire Vastola) going from formation to the demo stage, to playing shows, then scoring their first record deal for the release of their self-titled album. “In this crazy world of ours not everything is ice cream sundaes and cherries on top — we’ve been through some changes with lineups and labels when it became clear we had different goals in mind. We look back with pride on our debut album and especially the new EP. It’s been a huge boost in morale and poured gasoline on the fire inside us!”

The origins of TOWER date back to when Linden and Danzo were playing in THE PSYCHO HIPPIES, a group that primarily played ’50s, ’60s and ’70s pop covers, along with some RAMONES songs to boot. Because of her experience playing such music, Linden brings a unique brand of soul and style to metal, with Danzo noting she even sang at the legendary Apollo Theater as a teenager. Fret not true metal believers: Linden’s vocal idol happens to be Ronnie James Dio, further rounding out a band who is equal in music and image.


“Metal bands love to say, ‘we hate image!’” notes Danzo, “but truth be told, we have a vision and are very protective of it. It’s important to us to come across as real, first and foremost. Everyone in the band has a unique style and persona and we aren’t about to mess with it. We try to avoid clichés when it comes to album covers, too — so far photographs have worked, they’re just classic and real. We’re just here to kick some ass and I think that comes across clear as day.”

TOWER will fill up the rest of 2019 with occasional live duty, but the priority remains to get ready for their forthcoming second studio album. Danzo says “lack of material has never been a problem” for TOWER: The band has three songs leftover from the “Tomorrow & Yesterday” session, as well as another cut that has already been aired live.

“Unlike the last two releases which took forever in spaced-out sessions from weekend to weekend, we plan on blocking out 7-10 days of studio time and doing it as a concise and complete project like a band would do in the old days. Onward and upward!”

WALPYRGUS release “Dead Girls”‘s videoclip

… LEGENDS TELL OF HER SLIMY BONES, AND HOW THEY WALK OLD WINDY ROADS …

US hard rock/heavy metal warriors WALPYRGUS have released today a videoclip of “Dead Girls”, the second single out of forthcoming WALPYRGUS’ album “Walpyrgus Nights”.

The videoclip is based on the original art created by Scott Waldrop (also Twisted Tower Dire) for the comic book that comes together with the vinyl edition of the album.
The glossy-papered, 56-page comic book depicts the lyrics of the album and as said, it is intended as a bonus for the vinyl edition.
However it is now possible, due to a little print-surplus, to buy it together the compact disc but only while ordering directly from Cruz Del Sur Music webstore here: http://tinyurl.com/mn2xsz2

“Walpyrgus Nights” will be released on JUN 9, 2017.

WHILE HEAVEN WEPT’S TOM PHILLIPS ON WALPYRGUS

We are very grateful to Tom Phillips (While Heaven Wept) for sharing these words about WALPYRGUS.

“I wanted to take a moment here to shed some light on my whereabouts, what’s been going on, and why for the first time in 17 years I’ve become involved with something other than While Heaven Wept.

It’s been quite some time since I’ve discussed what I’ve been doing musically – two years in fact – and now the time has finally come to reveal what has been going on: in March 2015 I was just beginning work on a solo project when I was approached by Scott (Waldrop) about tracking some keyboard parts for the debut album of Walpyrgus, which I was more than happy to do even before hearing the new material given our long history, plus it was an opportunity to put the instrumental arsenal I was building up through its paces, and I was eager to do something in light of recent events involving my own band.

The songs arrived one by one, each being more enthralling than the previous and it became very clear that Scott had a lot of ideas given the extensive notes and rough drafts in demo form. It was also very clear that – in my opinion – these were among the very best songs I’ve ever heard coming from my old friends… needless to say I was “in”, full stop. I was totally free to interpret the ideas any way that I wanted to and thus I was able to truly express myself, in turn impacting the arrangements of songs in the same way that every musician involved has.

That’s the thing about Walpyrgus: EVERY member of the band is responsible for making these songs what they are; everyone brought their skills, personality, and “A” game to the table – and the performances are both real and inspired…organic…not Pro-Tooled or forged in any way, rather the kind of music that everyone involved loves playing, the way we’ve done in our respective bands all our lives.

It was not lost on me or Scott that 20 years prior we co-founded the now long-running Twisted Tower Dire, yet that original configuration ultimately was short-lived due to both copious amounts of alcohol and the necessity to express other things musically on a much more personal level – you all know the rest of that story – but the point here is there’s always those “What If?” questions that remain. You know – like “What if the original line-up stayed together…” and so forth…and it’s not often that “second chances” actually turn into second comings…now we actually had the opportunity to dive into that parallel universe to answer some of those questions for ourselves.

Anyway, with this in mind, my role evolved over time from creating/performing/recording the keyboard parts to engineering other recording sessions to the deep editing of various tracks finally reaching a stage where I was overseeing the entire project with full “carte blanche” – and those of you who know me are cognizant this means a lot of hyper-detailing, holding ourselves to the highest standards, etc – so it should come as no surprise that this lead to additional recording, re-recording, mixing and re-mixing…but it’s not just my usual manias; the fact is it was decided that we’d stop at nothing to fully realize Scott’s vision successfully, without cutting corners, sparing no expense (aka “WHW style”) – and I absolutely took that aspect to heart. I personally felt the responsibility to deliver in every role I served so as to insure the end result was not a watered-down version, an approximation, or some outside producer’s vision, instead “the album he always wanted to make.” I believe now that we have achieved this. When all is said and done, It’s truly been an honor to work with my buddies Scott, Jim, Jonny, and Charley – each of whom kicked ass in their own right on this one – bringing this to life, and involving Kevin and Gustavo from the “WHW team” made it that much more gratifying for me. It was a no-brainer to re-align with Enrico and Cruz Del Sur Music as well considering the direct ties to TTD and WHW, along with albums in the same vein from our mates Slough Feg, Widow, Bible Of The Devil on the label. Call it a homecoming if you will.

I’ve been involved with every aspect of “Walpyrgus Nights” perhaps more so than with any of my own albums – I mean like those, I know every note and detail intimately – yet, in this case my hands were on the console, twisting the knobs, adjusting faders, zooming deep into the waveforms – I’ve literally heard these songs hundreds of times…and what I wanted to convey here is I still LOVE them; it should speak volumes that I actually still want to hear them absolutely fucking cranked and truly enjoying every freaking minute of them after hearing them more times than I can count. And THAT is what mattered to all of us the most – satisfying our own ambitions for this record and hearing exactly what we wanted to in the end – on OUR stereos. Call it self-serving if you want, but I sincerely believe that this enthusiasm, this heart  translates to tape – and can only hope that everyone else out there feels that through their own speakers. \m/”

Tom Phillips

April 4, 2017