Category: Cruz Del Sur Releases

CRUZ DEL SUR MUSIC To Release Ex-TROUBLE Singer ERIC WAGNER’s Posthumous Solo Album, ‘In The Lonely Light Of Mourning’

Enrico



Cruz Del Sur Music will release legendary former TROUBLE singer Eric Wagner’s posthumous solo album, “In The Lonely Light Of Mourning” in March 2022.

Recorded at Alpha Sound Services and Aardvark Recording, “In The Lonely Light Of Mourning” was completed and delivered to Cruz Del Sur Music a month before Eric’s untimely passing. Initially scheduled for a November 2021 release, Cruz Del Sur Music — in cooperation with Eric’s manager, Mike Smith — agreed to move the release date to March 2022 to give it the attention it deserves.

“It has been a great honor to have the chance to work with Eric,” says Cruz Del Sur Music owner Enrico Leccese. “He has been a reference in my life since, as a fan, I bought his TROUBLE albums back in the 1980s. I must give WHILE HEAVEN WEPT’s Tom Philips 100 percent credit for Cruz Del Sur Music being able to release Eric’s solo album. Eric really put all himself, his passion, his deepest emotions and his skills into this release. I must also thank Mike and Ron Holzner for the extremely mature talk we had after Eric’s passing. His loss has been a tragic event and we hope that this album gives justice to his career.”


The solo endeavor — a long-time goal of Eric’s — serves as a fitting testament to one of doom metal’s most respected voices. Eric tapped former TROUBLE/current BLACKFINGER drummer Dave Snyder to help him assemble the album’s eight cuts. Along the way, Eric brought in some of his favorite musicians as guests — including past and present members of TROUBLE, BLACKFINGER, THE SKULL, LID, PENTAGRAM, DEATH ROW and PLACE OF SKULLS.

“In The Lonely Light Of Mourning” travels down Eric’s hallowed, familiar doom roads, flanked by melancholic acoustic guitar arrangements. It makes for an album of color, depth and heaviness that will please fans of Eric’s work. “I’d say this album is an amalgamation of TROUBLE, BLACKFINGER, LID and THE SKULL,” says Phillips. “There’s a little bit of each all swirled together. Basically, there’s a little something for everyone!”

“He was excited about the songs,” adds Snyder. “He and I worked on this project for a little over four years. It took that long, mostly because we did it over the phone. Either he would be in Chicago or New Mexico, and I’m in West Virginia, so I’d send him demo riffs, and if he liked something, he’d give me arrangement ideas, and I’d re-demo to fit his vision to place the lyrics. I already miss the process of working with him! Before Eric left for the last THE SKULL tour this summer, he told me about the record and said, ‘It jams. I’m turning it into Cruz.’”

Smith says that if Eric was ever going to do a solo record, it would need to involve the people he’s worked with — and some he hasn’t. The wealth of guest musicians explains why he was particularly excited about having a “family reunion” that tapped into nearly every era of his storied career.

“We have guests representing every band Eric has worked with over the years, and even extended family member @Victor Griffin, which really brings things full circle,” says Smith. “This was not the original plan by any means, but as the process started to unfold, it became apparent that this was exactly how it should be. How it was meant to be.”

Eric’s THE SKULL and former TROUBLE bandmate Ron Holzner, guests on the album. Ron says “In The Lonely Light Of Mourning” was “more personal” to him than his BLACKFINGER and LID output, two albums that enabled the frontman to work outside of the boundaries of TROUBLE.

“The LID record [1997’s ‘In The Mushroom’] was a break from Trouble and his first tastes of freedom. The BLACKFINGER records were more of a sideband to express himself differently than THE SKULL. It’s been a long journey lyrically for Eric and his story was coming towards the end. He sensed his time was short. The new record was his career coming full circle, in a sense. He included musicians from all his records and never intended this record to be a band. It was more a solo record than anything he ever did before. He needed to share his journey since this record was to be the end — he was contemplating retirement. The new THE SKULL record would be the epitaph to his story.”

Eric’s untimely passing this past August left behind a musical legacy that has influenced countless bands while providing comfort and solace for those impacted by his lyrics. Alongside CANDLEMASS, TROUBLE is arguably the most impactful post-BLACK SABBATH doom band. Their first four albums are undisputed classics, making Eric the solitary voice for the downtrodden and disaffected. 

“There’s no doubt that he will be rightly remembered as one of the most iconic voices of metal —  not just doom metal considering he had the power to traverse anything he sang over from psychedelic to somber, from acoustic tenderness to bone-crushing metal,” says Phillips. “Of course, he’ll always be tied to the legacy of TROUBLE and thus, considered by nearly everyone — including myself — as one of the founding fathers of the doom metal genre. But for those who knew him, we’ll also never forget his laid-back personality, sense of humor and ‘Eric-isms.’ It’s a staggering and totally unnecessary loss, but he lived by his own rules and spent 2021 doing all of the things he loved doing the most, so there’s some solace in that.”

“He did what he wanted, said what he wanted, lived like he wanted and wrote what he wanted…his way,” says Holzner. “He touched a lot of souls with his life and death.”

“He was a friend to everyone he met,” adds Snyder. “He always would hang out with fans and, through his music, helped a lot of people through tough times, including myself. His lyrics were always thought-provoking and his voice was one of a kind. When you heard it, you knew it was Eric Wagner! Ultimately, his legacy to me is his work with TROUBLE. I am eternally grateful to have been close to him at times, to have finished this record and to have worked with what many call the ‘Godfather of Doom.’”

“Eric was a dear friend, and I miss him immensely,” closes Smith. “This solo album became so much more than we initially expected, and I hope fans will be able to listen with open hearts and realize how lucky we all were to have Eric in our lives. 

When Eric and I signed off on the album back in July and delivered it to Cruz Del Sur Music, Eric said something I will never forget: ‘If this were to be my last one, it’s a perfect final chapter to the story.’”

“In The Lonely Light Of Mourning” track listing:

1. Rest In Place

2. Maybe Tomorrow

3. Isolation

4. If You Lost It All

5. Strain Theory

6. Walk With Me To The Sun

7. In The Lonely Light Of Mourning

8. Wish You Well

New York City’s TOWER To Release ‘Shock To The System’ This November

Enrico

In November, New York City true metallers TOWER will release their sophomore studio album, “Shock To The System”, via Cruz Del Sur Music. The album was recorded this May and June at Artifact Audio in Ridgewood, New York, with Sasha Stroud serving as co-producer and engineer. The album’s cover was created by Morgan Jesse Lappin.

According to vocalist Sarabeth Linden, half of the music and lyrics for “Shock To The System” were written during the recent lockdown attributed to the global pandemic. The result is TOWER’s most complete outing to date — a veritable metal call-to-arms that combines the band’s energetic brand of NWOBHM and classic rock into ten anthemic cuts.

“We stayed centered around our established style but took it to new levels in some places,” says Linden. “The heavy parts are heavier than before, the fast parts are faster, the slow parts are slower, and one song is around seven minutes, which we’ve never come close to previously. Musically, there are a lot of firsts on this record.”

TOWER (who are completed by the guitar tandem of James Danzo and Zak Penley and drummer James Jones) only has one previous full-length studio album to their credit, 2016’s self-titled outing. While their 2019 “Tomorrow & Yesterday” EP featured four songs of rocked-up metal, “Shock To The System” takes TOWER’s sound to the next level.  

“The first album is already five years old!” exclaims Linden. “It seems so long ago now. The songs that are still in the live set, like ‘Flames’, ‘Raceway Rock’ and ‘Elegy’ are still very much in the vein of the new material. The EP was a bit more simple and aggressive, and those elements are on the album, too, but manifest in a different way. In general, we have grown a lot as a band and as individuals. We’ve matured, and it’s reflected in the music.”

TOWER recently celebrated its return to the stage in July. With “Shock To The System” in the can, the band plans on preparing for future live dates — and a new bassist. “We’re in the process of revamping the lineup for tour, as Jeff Filmer stepped aside to give his full attention to his bands SHADOWLAND and HUSTLER,” closes Linden. “We’ll be ready to hit the road by year’s end. See you soon! Be prepared!”

“Shock To The System” track listing:

  1. Blood Moon
  2. Prince Of Darkness
  3. Metatron
  4. Running Out Of Time
  5. Lay Down The Law
  6. Hired Gun
  7. The Black Rose
  8. On The Line
  9. In Dreams
  10. Powder Keg

APOSTLE OF SOLITUDE To Release ‘Until The Darkness Goes’ This November

Enrico

Indianapolis doom titans APOSTLE OF SOLITUDE will release their fifth studio album, “Until The Darkness Goes”, this November via Cruz Del Sur Music.

APOSTLE OF SOLITUDE — featuring vocalist/guitarist Chuck Brown, guitarist/vocalist Steve Janiak, bassist Mike Naish and drummer Corey Webb — initially planned to record the album in late 2020, but health and safety concerns over the global pandemic pushed the start date to May 17 of this year. Once again, the band hunkered down in Russian Recording in Bloomington, Indiana, with long-time producer/engineer Mike Bridavsky at the helm.

According to Naish, the goal heading into the creation of “Until The Darkness Goes” was to write shorter, more compact songs, with an onus on their quality and emotional impact on the listener. “This album is short even by our standards,” he says. “The emotion of the lyrics coupled with slower tempos suggest a sudden and painful personal loss, a mood that evolved over the album’s creation. It is probably more about refining what we do best as a band — and individuals — to convey an idea as opposed to continuing a theme. In short, it’s a more polished version of everything we all loved about our previous records.”

The pandemic directly impacted APOSTLE OF SOLITUDE — one of its members lost both parents, casting a pall over its creation. The band took advantage of shifting recording dates to refine the album, resulting in what is unquestionably their darkest and most heartfelt LP to date.

“The pandemic was ever-present as the songwriting process evolved,” says Naish. “Thus, more of our personal experiences became infused in our playing and songwriting, specifically around vocal harmonies. To play music together was cathartic for us, but it was also challenging to stay safe during a pandemic. We were fortunate to have support from our label, Cruz Del Sur, to record when we felt comfortable. So, that’s what we did.”

APOSTLE OF SOLITUDE recently resumed live activity, including two opening slots on the abbreviated THE OBSESSED and THE SKULL American tour. While the band enjoyed hitting the stage once again, they couldn’t help but worry things could come to a halt at any time.

“There always seemed to be some impending sense of doom (pun intended?) that nothing has any sense of permanence,” finishes Naish. “We are generously supported when we tour, and, for that, we are grateful. We owe it to ourselves and each other to pull our weight to bring this pandemic to an end. We want to tour in support of this release when conditions are favorable for both performers and fans. Unfortunately, we cannot predict when that will be. Working musicians are struggling right now to make ends meet, and we feel uncomfortable putting anyone at risk in these trying times. We’ll see you all as soon as we can do it safely.”

“Until The Darkness Goes” tracklisting:

  1. When The Darkness Comes
  2. The Union
  3. Apathy In Isolation
  4. Deeper Than The Oceans
  5. Beautifully Dark
  6. Relive The Day