Canada’s GATEKEEPER Joins Cruz Del Sur Music

Cruz Del Sur Music is proud to announce the signing of Canadian epic metal force GATEKEEPER. The band’s first full-length, “East Of Sun”, will be released this April worldwide on compact disc (including 2 bonus songs), vinyl and digital.

Cruz Del Sur Music is proud to announce the signing of Canadian epic metal force GATEKEEPER. The band’s first full-length, “East Of Sun”, will be released this April worldwide on compact disc (including 2 bonus songs), vinyl and digital.

Originally formed in 2009 as a solo project by guitarist Geoff Blackwell, GATEKEEPER has assembled an impressive array of EPs and splits, including an appearance on Metal Blade’s “Metal Massacre XIV” where they contributed the song “Bell Of Tarantia”. Their signing to Cruz Del Sur will mark a new, exciting era for the band.

Comments Blackwell: “Cruz Del Sur has been a bastion for great heavy metal for a long time and it’s a pleasure to be included alongside a host of bands that have been influences on our music and bands that we consider our contemporaries. Above all, Enrico [Leccese] has been extremely fair and willing to work with us so that we can present the album the way we’ve envisioned.”

Recorded over the span of six months at Harbourside Studios in Vancouver, Canada, “East Of Sun” was produced by Mike Rogerson, whose previous credits include ANNIHILATOR, AGGRESSION, 88 MILE TRIP and LOVERBOY, with additional production assistance provided by Angelo Boose, who, according to Black “stayed up through many all-night recording sessions with us.”

The “East Of Sun” title is a shortened version of a book of Scandinavian folk tales that parallels the content on the record where each song stands on its own. The album’s cover art was created by Duncan Storr, who has previously worked with SKYCLAD, RAGE and Cruz Del Sur’s own DARK FOREST.

“East Of Sun” boasts a mixture of older, unreleased material written by Blackwell which are complemented by live staples that have recently been updated. “It’s pure heavy metal with a sword and sorcery flourish,” says Blackwell. “We wear our influences on our sleeves, but we don’t want to be a pale imitation of them. We try to capture the spirit of what we love without copying anyone’s’ notes. This album has our fastest song and it’s got our biggest, most epic slow-burner and many songs in between. It has melodic electric guitar playing coupled with fierce riffs, thunderous rhythms, mystical acoustic passages and, of course, a unique and varied performance from our singer, Jean-Pierre. And these things are just the start.”

GATEKEEPER’s immediate plans include assembling live dates near their Vancouver home base and on the west coast of Canada. Currently, they are scheduled to play the Northwest Metal Fest in Seattle this March alongside Q5, HEIR APPARENT, GLACIER, WILD DOGS, SKELATOR, SUBSTRATUM and RIOT CITY. Aside from that, Blackwell says GATEKEEPER has its sights set on even bigger territories, namely Europe:

“With Cruz Del Sur on our side, I think it’s just a matter of time before we cross into European soil, so beware!”

 

Line up:

Jean-Pierre Abboud – Lead Vocals, Chorus
Geoff Blackwell – Rhythm/Lead Guitar, chorus
Kenny Kroecher – Lead/Rhythm Guitar
David Messier, Bass guitar, chorus
Tommy Tro – Battery

 

Related links:

https://www.facebook.com/gatekeepervinland

http://gatekeeper.bandcamp.com/

OLD MOTHER HELL: Compact Disc / Vinyl pre-order available!

 

There is nowhere to hide as a power trio. Musical shortcomings are easily exposed. Chinks in the sonic armor are painfully evident. The common utterance that “A band is only strong as its weakest member” couldn’t ring truer. Bands with a high number of members can easily mask its deficiencies – not power trios. Some of metal’s best three-man outfits —Destruction, Motörhead and Sodom — have the commonality that there is no weak links. The same applies for one of metal’s most exciting new power trios, Germany’s Old Mother Hell.

“Every single one of us is standing like a rock behind the band,” says guitarist/vocalist Bernd Wener. “I guess this is what makes us cohesive. No one is active in additional bands, everyone is a fan of the kind of music we play and there is nothing like a concept or otherwise ‘artificial’ thing about Old Mother Hell. In some ways, we are like three 16-year-olds meeting regularly in the rehearsal room and living for playing live. In addition to that, we have the advantage of years of experience being in bands. This all adds up to Old Mother Hell.”

Old Mother Hell was formed in 2015 from the ashes of another local thrash act, Hatchery, by Wener, bassist Ronald Senft and drummer Ruben André. The band recorded their self-titled debut album in May 2017 at Rama Studio Mannheim with producer/engineer Jens Siefert at the helm. The album’s six songs are smoldering, anthemic bodies of work, as Wener’s impassioned vocals and simple, yet powerful riffs work in perfect tandem with the Senft/André rhythm section. The end result is a striking balance between mountainous epic metal and a straightforward attack, with doom influences present, even as the band is playing pure, take-no-prisoners metal.

And to top it all off, Old Mother Hell did things the old-fashioned way: Hammering the songs out in their rehearsal room, then recording them at Rama Studio Mannheim with little overdubs.

“What really turned out to work best for us—and most of the debut songs were created this way— is to just jam in our rehearsal room and work on the songs from scratch, together as a band,” notes Wener. “I guess this will also be our way to go from now on. When we do that, I sometimes use imaginary vocals. Other times, we first write an instrumental basis from which we refine and add lyrics afterwards. There is no single songwriter in Old Mother Hell. Everyone gives input and is participating in the writing process.”

The band’s self-titled debut has already caught fire across Europe, with the album receiving “Demo Of The Month” and “Self-Produced Album Of The Month” in Rock Hard and Deaf Forever magazines, respectively. The positive reception couldn’t have come at a better time now that Italy’s Cruz Del Sur Music is handling the album’s exclusive digital and vinyl release. But alas, the journey has just begun for Old Mother Hell, who, in their brief existence, has already exceeded their own expectations.

“We are more than thrilled and would not have believed to get all this positive feedback – even in our wildest dreams,” concludes Wener. “I said that a lot in the last months, but it still holds true: we are absolutely thankful for everyone involved in the album and for every piece of feedback we get from the metal fans out there. It really is a special time and we value it a lot.”

Old Mother Hell‘s debut album will be available on compact disc (jewel case), vinyl and digital on Feb 23, 2018.

CD PRE-ORDER:

VINYL PRE-ORDER:

APOSTLE OF SOLITUDE to release “From Gold To Ash” on Feb 23, 2018

The doom bell tolls roughly every four years for Indiana’s Apostle Of Solitude. Formed in 2004 by former The Gates Of Slumber drummer Chuck Brown, the band followed their 2008 “Sincerest Misery” debut with “Last Sunrise” in 2010, then, in between two splits and a demo, released “Of Woe And Wounds” in 2014, which also served as their first album for Italy’s Cruz Del Sur Music. Just in time, Apostle Of Solitude greets the legions of doom in early 2018 with their fourth studio album, “From Gold To Ash”.

Recorded in September 2017 at Russian Recording in Bloomington, Indiana with studio owner and engineer Mike Bridavsky, “From Gold To Ash” offers seven songs of ambitious and equally aching doom. Largely defined by the heartfelt and emotive vocals of Brown, “From Gold To Ash” covers a wide spectrum of doom, from thundering gallops, mid-tempo bashers to reflective, melodic romps. With songs as voluminous as this, it’s no surprise the songwriting process for Apostle Of Solitude (who are rounded out by guitarist Steve Janiak, bassist Mike Naish and drummer Corey Webb) is one of deliberation and utmost care.

“Some of the origins of these new songs started not long after the last record was released,” says Brown. “And yeah, it’s a pretty collaborative effort when we get to the final version of the song. Oftentimes, I will bring in a rough idea and arrangement of something and then we mess around with it together and try different arrangements, transitions, tempos, etc., and eventually settle on what it turns out to be collectively. Vocals are a bit different. Sometimes myself or Steve have things in mind that we want to do separately and sometimes we work on them together. Just varies from song to song.”

“From Gold To Ash” starts with the savage and gritty guitar chugs of “Overlord”, and gradually starts to take shape with the Sabbath thunder-clap of “Ruination Be Thy Name”, a cut that features some of Brown’s most elaborate singing to date. After the soft peddles found on interlude “Autumn Moon”, the slow-crawl guitar harmonies of “Keeping The Lighthouse” and dominating lurch of “My Heart Is Leaving Here” find Apostle Of Solitude playing at near-funeral doom tempos. The sorrow continues with “Monochrome (Discontent)” and “Grey Farewell”, where Brown unfurls soulful, yet melancholic vocal lines, which, according to the singer, was a point of emphasis during songwriting sessions.

“There was definitely a concerted effort to have ample vocal harmonies throughout the songs,” he notes. “We’re all big fans of artists that capitalize on the depth it adds to music when using vocal harmonies. For the most part, what we attempt to do from song-to-song or album-to-album is just improve upon something that we did prior and stay creative and not be too afraid to try something new and most importantly, be content that we worked hard and were genuine in doing so.”

Upon the release of “From Gold To Ash”, Apostle Of Solitude plan on hitting the road in the United States and Europe.

“From Gold To Ash” will be released on Compact Disc, Gatefold LP, Limited Gatefold LP and Digital by Cruz Del Sur Music on Feb 23,2018.

VINYL PRE-ORDER: 

COMPACT DISC PRE-ORDER: