RAVENSIRE Enters Studio To Record Third Full-Length, ‘A Stone Engraved In Red’

Portuguese heavy metal battalion RAVENSIRE has entered Studio 13 in Lisbon to begin work on their third full-length album, “A Stone Engraved In Red”. The album will be engineered once again by Paulo ‘Paulão’ Vieira and is due next summer via Cruz Del Sur Music.

The follow-up to 2016’s “The Cycle Never Ends” will be the first to feature new members Mário (guitar) and Alex (drums), both of whom took part in live activity that saw RAVENSIRE take their brand of traditional metal into Europe. According to founding guitarist Nuno, “A Stone Engraved In Red” will feature all the trademarks of RAVENSIRE’s sound, but with some new twists.
“We have started exploring a bit more when it comes to developing musical themes inside a song,” he says. “We have a couple of longer — even by our standards — songs, with plenty of changes in moods and tempo. The material is quite diverse and, personally, it is always a good sign when you listen to your own stuff and enjoy it!
“The songwriting remained the same for us,” he continues. “Someone will come up with a skeleton for a song more or less finished, and then we work it up as a whole band and everyone adds their part. There is one song, however, that was co-written by me and Mário. He did come up with an initial idea and then I added other parts and we created a structure. But, that was the exception to the norm!”
Nuno confirms song titles such as “Carnage at Karnag”, “Gabriel Lies Sleeping” and “The Games Of Titus” and their own tribute to recently-deceased MANILLA ROAD leader Mark Shelton, “After The Battle”. “Mark gave so much to the scene, so we felt it was right to dedicate this song to him. In addition, we have another tribute called ‘Dawning In Darkness’, which is dedicated to Hartmuth ‘Barbarian Wrath’ Schindler who had a terrible misfortune in the hospital and has been in a coma for more than a year. We want to pay our deepest respect and friendship to both of them.”

Like previous RAVENSIRE efforts, the album artwork for “A Stone Engraved In Red” will be in black and white, although Nuno admits there may be a surprise within the cover. As such, Nuno says the title of the album has a deeper meaning for the band: “It’s a statement that no matter what we do, we want it to be rock solid and stand the test of time, just like the epitaphs of old.”

CRUZ DEL SUR MUSIC Invades DOOM OVER VIENNA Festival

When it launched in 2006, Doom Over Vienna was a small festival that featured five bands in one evening — hardly the staggering multi-day adventures Europe typically offers metalheads. But, like any festival worth its salt, it continued to grow to the point where organizers had to tack on a second day in 2012, cementing it as the European autumn doom destination. For the 13th installment, set to take place November 9-10 at Viper Room Vienna, Doom Over Vienna will have a decidedly distinct flair when three of Cruz Del Sur Music’s best doom bands, APOSTLE OF SOLITUDE, HANDS OF ORLAC and KING HEAVY, partake in the festivities.

Festival organizer Jürgen Dickstein says the decision-making process for Doom Over Vienna is a difficult one since he’s often flooded with requests from bands to play the festival. “For our festival, I’m always in search for something special, something that has its unique sides and edges and something that touches me in one way or the other, whether it be from songwriting, sound or taking a special approach to music. Also, a rather important point is that I mainly choose bands that did not or very seldom play in Vienna or Austria, so we always had a lot of bands who played at our festival the first time outside their country, first time in Austria/Vienna or over here for the first time since quite a while. So, it’s always a longer process of finding a lineup completed by bands that I want to play, also considering the circumstances of a very low festival budget, which makes it hard to book all the bands you want to have here.”

Jürgen was familiar with all three Cruz Del Sur bands prior to booking them for Doom Over Vienna. APOSTLE OF SOLITUDE are already festival veterans, having played the 2016 installment. He caught HANDS OF ORLAC at Dublin Doom Days and Doom Over Scania and has seen KING HEAVY at Malta Doom and Escape Metalcorner, making it an easy choice to bring all three over for 2018. “I’ve known the label for a long time as Cruz Del Sur always has fantastic bands in its stable,” says Jürgen. “So, I have quite some records of this label at home! I’m very happy it’s three of them playing this year as well. Additionally, it’s an honor [Cruz Del Sur owner] Enrico will be at the festival this year — I’m looking forward to meeting him in Vienna.”

Doom Over Vienna 2016 marked APOSTLE OF SOLITUDE’s first-ever appearance on European soil. Since then, they’ve released their new LP, “From Gold To Ash”, which was hailed by Angry Metal Guy as “an album full of riffs, melancholy and a complete lack of pretension.” Drummer Corey Webb says festival-goers should expect a raw and unfiltered version of APOSTLE OF SOLITUDE, who, heading into 2019, will head back into the rehearsal room to work on new songs in addition to more festival dates.

“I think having a bit of familiarity with the club and the arrangements will be beneficial, actually,” he says. “There are so many other great bands that we are also looking forward to seeing and this year, we will have a bit more time to see the city, which will be great. The setlist is shaping up to include a good amount of material from the new album, but there are also a couple of surprises from the early days, including a song that we have only performed live a handful of times in this band’s existence. Anyone who has spent a bit of time with the new album knows that it is heavy in an emotional way as well as sonically, which translates very well in a live setting.  Expect to be doomed!”

HANDS OF ORLAC are still supporting their well-received 2017 split with THE WANDERING MIDGET and have since added a fifth member to their lineup. The band was originally asked to play Doom Over Vienna a few years ago, but were unable to do so due to their relocation to Sweden. However, bassist The Templar says the band are eagerly awaiting their appearance, after which, they’ll resume work on their third full-length album.

“We’ve waited impatiently until we got invited again,” he notes. “It’s going to be great to see so many good bands, old friends and be at one of the top doom metal festivals in the world. Since we’re now playing as a five-piece, we’ll play some new material. It’s a different sounding band compared to the recent and far past times. But according to our three leading rules, the show is going to be horror-filled, heavy and mind-affecting as it is supposed to be.”

 

With their new “Guardian Demons” album still fresh in the minds of the doom scene, KING HEAVY is looking to follow in the footsteps of fellow Chilean bands who have played Doom Over Vienna like POEMA ARCANUS. Bassist Daniel Pérez Saa says KING HEAVY has prepared a special set for the festival, with heavy emphasis on “Guardian Demons” as well as their previous studio offerings. Heading into 2019, Saa says KING HEAVY has already started thinking about a new album, but will continue to spread their word of doom across Europe.

“It’s an honor to be a part of the festival,” he says. “We’re eager to share the stage with bands close to us like IRON VOID, who we toured with in 2015. We’re also excited to play alongside APOSTLE OF SOLITUDE and MIRROR OF DECEPTION, among others. We are a band that is very concerned about our performance onstage. Our sound has grown to devastating levels of late, something we noticed during our recent dates in Chile. Without a doubt we are a band that excels in the live setting and I think that shows in our attitude and sound.”

SEPTAGON To Release ‘Apocalyptic Rhymes’ In November

SEPTAGON (who are rounded out by vocalist Markus Becker, bassist Alexander Palma and drummer Jürgen “General” Schrank) are arguably neither a true thrash nor power metal band, rather, a seamless blend of the two, whereupon punchy, but anthemic songs are born. With the powerful throat of Becker (also of ATLANTEAN KODEX) out front, SEPTAGON presents a fresh take on two of metal’s most familiar genres. According to Ullrich, SEPTAGON thrives off of this balance.

 

German power-thrash hybrid SEPTAGON will release their sophomore album, “Apocalyptic Rhymes” on November 9 via Cruz Del Sur Music. The follow-up to 2016’s “Deadhead Syndicate” was recorded across a variety of studios with the band opting to produce the album themselves.

Songwriting for “Apocalyptic Rhymes” began shortly after SEPTAGON started playing shows in support of “Deadhead Syndicate”. The result, as guitarist Markus “Ulle” Ullrich (also of LANFEAR and THEM) tells it, is a more focused and catchier album: “When the music for the debut was written, there was no band at all. This time, it was more of a collective work. Except for one track, I wrote all the music for the last album while our second guitarist Stef [Binnig-Gollub] now also brought in some ideas and songs. The production for the album took a bit longer than we expected, otherwise we would have released it sooner. But, we are very pleased with the results.”

SEPTAGON (who are rounded out by vocalist Markus Becker, bassist Alexander Palma and drummer Jürgen “General” Schrank) are arguably neither a true thrash nor power metal band, rather, a seamless blend of the two, whereupon punchy, but anthemic songs are born. With the powerful throat of Becker (also of ATLANTEAN KODEX) out front, SEPTAGON presents a fresh take on two of metal’s most familiar genres. According to Ullrich, SEPTAGON thrives off of this balance.
“When SEPTAGON started, I really wanted to keep it old-school with a nice mixture of speed and thrash and some U.S. vibes in the riffing,” he says. “Markus is a singer with a very melodic voice and I always thought that this is a nice combination. Some songs musically are pure thrash, but since we listen to all kinds of music, it happens from time to time that we come up with some ideas that lead us into a different direction. On the one hand we want to keep our roots, but there’s always room for some experiments.”

Conceptually, “Apocalyptic Rhymes” presents a wide variety of topics, including literature (John Knittel’s “Via Mala” on lead single “Home, Sweet Hell”) while venturing into social commentary on “Make A Stand”, “Cosmic Outrage” and “The Weight Of The World”. However, given the current perilous nature of politics on an international scale, “P.O.T.U.S.A” is sure to raise some eyebrows.

Comments Ullrich: “It’s obvious what ‘P.O.T.U.S.A.’ is about and simply because Markus lived in the U.S. for more than five years, it was something he just had to do. Some people will agree, some will probably say ‘Shut your mouth and mind your own business, you fuckin’ Germans.’ I don’t really care since it more and more became also ‘our’ business.”

Armed with a fresh batch of vertical, melodic and biting melodic metal, Ullrich and SEPTAGON are gearing up for another round of shows with an eye toward the future. “We’re going to take this step-by-step,” he concludes. “We want to play more shows, sell some albums and honestly, I can’t wait to write more songs for album number three.”

“Apocalyptic Rhymes” track listing:

The End
The Weight Of The World
Home, Sweet Hell
Apocalyptic Rhymes
Make A Stand
The Unfathomable Evil
P.O.T.U.S.A.
Cosmic Outrage
Nothingness Awaits
Sunset Blood